This post is also available in:
English
Short answer
Jacob Berger is a theatrical, self-styled activist who presents himself online as a “proud Egyptian,” but his actual bios identify him as a Jewish actor and content creator from New York. He’s drawn attention with videos accusing Israel of genocide and invoking Holocaust imagery, a style that critics say is designed to provoke outrage and boost his profile. He calls his Zionist upbringing “indoctrination,” yet rather than visiting or studying Israel for himself, he’s opted for high-visibility actions like joining the July 2025 Gaza Freedom Flotilla.
The flotilla is promoted by its organizers as a challenge to Israel’s blockade and was heavily amplified across social channels, helping raise Berger’s visibility and more importantly, his subscribers.
Within pro-Palestinian circles, organizers such as Nerdeen Kiswani have publicly accused him of self-promotion, opaque fundraising, and inappropriate conduct toward women.
Bottom line: even many on “his side” question whether his activism centers the cause, or himself.
Long answer
Jacob Berger is a loud, theatrical content creator who sells himself online as a “proud Egyptian,” but his own bios list him as a Jewish actor from New York. He’s built an audience by accusing Israel of “genocide,” borrowing Holocaust imagery to trigger outrage and grow his following. Berger calls his Zionist upbringing “indoctrination,” yet he’s shown little interest in studying Israel seriously or seeing the region beyond curated stunts. Instead, he thrives on spectacle: viral clips, dramatic hand-waving, and moral posturing packaged for clicks.
His only “field work” was a brief July 2025 trip with the Gaza Freedom Flotilla — a stunt marketed as defiance of Israel’s legal blockade. For Berger it was perfect: a stage set for livestreams, not substance. He even signed deportation papers and left while other passengers chose to resist or stage hunger strikes. The flotilla, promoted heavily on social channels, boosted his visibility and, more importantly, his subscriber count.
Critics note that Berger’s videos recycle Hamas talking points dressed up in New York theater flair. His “kidnapping” story and other sensational claims have crumbled under scrutiny, yet they keep his name trending. Within pro-Palestinian spaces, organizers such as Nerdeen Kiswani have accused him of opaque fundraising, exploiting the cause for self-promotion, and inappropriate conduct toward women — including reports of him soliciting nudes under the guise of “solidarity.”
Even activists who share his politics now question whether Berger’s work serves Palestinians or simply feeds his brand. To them, he’s not a truth-teller but a grifter: a performer who treats activism as theater, chasing clout while undermining the movement he claims to support.